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The castle is mirrored in the surrounding lake; a facade of lost romance perfect to celebrate the melancholy of the season.

Our starting point for the Lobby, restaurant and bar interior architecture was the stone cladding on one of the other buildings in the square (Peter Celsing’s Riksbank).

The monochrome interior contrasts shades of warm grey and highly textured natural materials (sawn stone, blackened steel, fine timber and polished granite) as soft furnishings and classic furniture editions. We kept a pretty constant dialogue with Sune Nordgren the curator* throughout the design process as we both wanted to build in a range of opportunities to showcase the art collection.

Where possible we used local suppliers and makers from the city.

We also drew inspiration from the existing architecture of the square, in particular Peter Celsing’s stone clad Riksbank, and the ancient geology of the city when it came to selecting stone types for the floor and wall cladding of the public spaces.

The aim was to reinterpret the brutalist aesthetic of the building and the immediate architectural landscape of Brunkebergstorg Square in a way that felt relevant, comfortable and contemporary. Collectively we agreed on ideas for the larger scale pieces in the lobby and public spaces as we needed to make sure the architecture was accommodating but as far as the actual selection of specific works went, it was all on Sune who did a brilliant job.

Upon first look, you can see that art clearly plays a big role in the space. With the large sculpture on the staircase there was a fair bit of coordination as we needed to make sure that the materiality and detail of the staircase worked with the head (there was structural plinth cast into the stair to take the marble case of the head) and that the art lighting was correct.

She brings a serene mood to an otherwise dynamic and bustling lobby, reception and restaurant. We’ve been told that there is nothing that comes close in terms of contemporary luxury hotels in the city which we are proud of but by the same token we feel we have successfully created a place that Stockholmers feel very at home in.

What makes At Six special is that it stands out from the usual "Scandinavian design" interiors prevalent in Stockholm. You mentioned this concept of bringing together an international outlook and attitude while creating an experience grounded in the local area.

We have also managed to balance diversity and coherence in the public spaces so the experience as a whole feels tied together all the while offering variety and contrast. We find the Scandinavian design aesthetic very seductive and we certainly researched and referenced the work of Scandinavian architects and designers in preparation for creating the concept.

I also really like the calming influence of Mar Whispering, Jaume Plensa’s 2.5 metre high marble head situated on our grand staircase. However right from the start we focused on building a hotel that had it’s own unique aesthetic and in terms of design felt befitting for an international city which Stockholm is.

Universal Design Studio specializes in materials - research and experimentation - and crafted details. The 'grand hotel redefined for modern day life' was a theme running throughout the design process and because of this we want the hotel to feel like it has a legitimate place in the lives of Stockholm's citizens and visitors.